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Reference

Electronic style reference

Synthwave, IDM, trip-hop, lo-fi, future bass, dubstep, hyperpop, phonk and neighbouring hybrid styles.

How to use this list

Each row pairs a style term with a cue line written in the same grammar: what the music is, what plays it, roughly how fast, and how it feels. Copy the cue, then change one thing at a time so you can tell which token moved the result.

This list covers electronic music made for listening as much as dancing; for floor-first genres use the dance and club reference instead.

Combining entries

Electronic prompts respond well to synth-type words (supersaw, square wave, reese bass, 303) — they steer timbre more precisely than genre names.

If a take drifts away from what you wanted, remove tokens rather than adding more. Long prompts dilute; short, specific ones steer.

Synthwavesynthwave, analog saw lead, gated reverb snare, pulsing bass arpeggio, 110 BPM, 80s night-drive nostalgia
Darksynthdarksynth, distorted bass pulse, horror-film arpeggio, punchy drums, 118 BPM, menacing neon dread
Vaporwavevaporwave, slowed mall-pop sample, heavy chorus and reverb, tape wobble, 70 BPM, dreamy consumer haze
Chillwavechillwave, washed-out synth pad, lo-fi drum machine, blurred vocal, 100 BPM, sun-bleached memory
Downtempodowntempo, laid-back breakbeat, dubby bass, filtered chords, 92 BPM, instrumental lounge cool
Trip-hoptrip-hop, heavy dusty breakbeat, cinematic strings, vinyl crackle, 84 BPM, smoky noir vocal
IDMidm, intricate programmed drums, detuned melodic cells, odd time shifts, 138 BPM, curious cerebral mood
Glitchglitch electronica, stuttering buffer edits, clicks and pops, granular texture, 120 BPM, fractured precision
Breakbeatbreakbeat, chopped funk break, punchy sub, filter sweeps, 132 BPM, energetic retro-rave drive
Big beatbig beat, huge compressed breaks, fuzz bass riff, siren stabs, 128 BPM, swaggering block-party chaos
Electro (808)electro, crisp 808 drum machine, robotic vocoder, bleepy melody, 126 BPM, retro-future funk
Synthpopsynthpop, bright polysynth chords, simple sequenced bass, LinnDrum groove, 118 BPM, wistful vocal melody
Future bassfuture bass, pitch-bent supersaw chords, snappy trap drums, vocal chop hook, 150 BPM, bright emotional lift
Dubstepdubstep, wobbling LFO bass, halftime drums, huge drop, 140 BPM, aggressive mechanical weight
Riddimriddim, repetitive triplet bass growls, minimal drums, 150 BPM, hypnotic head-nod aggression
Chillstepchillstep, lush pads over halftime drums, soft sub bass, 140 BPM, ethereal female vocal, calm uplift
Ambient electronicaambient electronica, soft granular pads, gentle broken beat, 96 BPM, warm exploratory drift
Lo-fi beatslo-fi beats, dusty boom-bap drums, mellow Rhodes chords, vinyl noise, 82 BPM, instrumental study calm
Chiptunechiptune, square-wave lead, noise-channel drums, fast arpeggios, 150 BPM, gleeful 8-bit energy
Hyperpophyperpop, pitched-up vocal, distorted saw bass, sugar-rush synths, 160 BPM, maximalist chaos
Electroclashelectroclash, sleazy analog bass, deadpan spoken vocal, dry drum machine, 128 BPM, cold club attitude
Witch housewitch house, pitched-down vocal, trap hats, occult pad drones, 70 BPM, eerie ritual atmosphere
Footworkfootwork, rapid triplet kicks, chopped soul vocal, sparse bass, 160 BPM, restless Chicago energy
Neo-soul electronicelectronic neo-soul, swung programmed drums, warm Rhodes, wobbly pitch, 88 BPM, intimate late-night groove
Modular / generativegenerative modular, evolving sequence, random filter movement, analog drift, 110 BPM, patient machine curiosity
Wave / hardwavewave, detuned bell lead, heavy sub, halftime drums, 150 BPM, melancholic digital romance
Phonkphonk, cowbell melody, distorted 808, memphis vocal sample, 130 BPM, gritty night-drive menace
Synth-funksynth-funk, slap-style synth bass, clavinet stabs, tight drum machine, 108 BPM, sleek retro groove
Ambient IDMambient idm, delicate broken beat, lush reverb pads, glitched detail, 108 BPM, wistful and intricate
Electro-swingelectro swing, sampled 20s jazz horn loop, four-on-the-floor kick, 124 BPM, playful vintage party

Raw data: /guide/reference/lists/electronic-list.json · 30 entries

FAQ

What if two entries sound too similar?
Combine them deliberately: take the drum description from one and the synth description from the other, then keep a single BPM.
Do I have to use the whole electronic cue line?
No. The lines are built from independent tokens, so you can keep the two or three that matter and drop the rest without breaking the grammar.
Can I mix this list with another one?
Yes — keep one rhythm description, one lead instrument, one production word and a single tempo. Competing rhythm descriptions are the usual cause of muddled results.

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