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Reference

Hip-hop style reference

Boom bap, G-funk, trap, drill, cloud rap, grime, phonk, jazz rap and regional scenes with era-accurate drums.

How to use this list

Each row pairs a style term with a cue line written in the same grammar: what the music is, what plays it, roughly how fast, and how it feels. Copy the cue, then change one thing at a time so you can tell which token moved the result.

Hip-hop entries pin down two things the model often guesses wrong: the drum swing and whether the tempo is straight or half-time.

Combining entries

If you want rapped verses rather than sung ones, say so explicitly in the vocal token; melodic delivery is the common default.

If a take drifts away from what you wanted, remove tokens rather than adding more. Long prompts dilute; short, specific ones steer.

Boom bapboom bap, dusty swung drums, chopped soul sample, upright bass, 92 BPM, confident lyrical flow
Golden-era East Coasteast coast 90s, hard snare, jazz horn loop, scratched hook, 96 BPM, dense wordplay delivery
G-funkg-funk, whining portamento synth lead, deep P-funk bass, talkbox hook, 94 BPM, sunny West Coast cruise
Southern traptrap, rolling 808 slides, triplet hi-hats, dark bell melody, 140 BPM, half-time menacing flow
Drill (UK)uk drill, sliding 808, skippy hats, ominous string plucks, 142 BPM, cold clipped delivery
Drill (Chicago)chicago drill, heavy sparse 808, ominous synth line, 140 BPM, raw aggressive vocal
Cloud rapcloud rap, hazy reverbed pads, slow trap drums, 128 BPM, floating detached vocal
Lo-fi hip-hoplo-fi hip-hop, dusty drums, mellow Rhodes chords, vinyl crackle, 82 BPM, instrumental study calm
Jazz rapjazz rap, live upright bass, brushed drums, muted trumpet, 88 BPM, thoughtful conversational flow
Conscious hip-hopconscious hip-hop, warm soul loop, steady boom-bap, gospel vocal sample, 90 BPM, earnest message-driven verses
Alternative hip-hopalternative hip-hop, off-kilter drum programming, odd sample flips, 94 BPM, playful inventive delivery
Memphis rapmemphis rap, distorted 808, cowbell pattern, murky vocal sample, 68 BPM half-time, eerie underground grit
Phonk rapphonk rap, cowbell melody, saturated 808, chopped memphis vocal, 130 BPM, night-drive aggression
Crunkcrunk, shouted chant hook, booming 808 and clap, sparse synth stab, 76 BPM, rowdy club energy
Hyphyhyphy, bouncy synth bass, snappy claps, 104 BPM, animated shout-along hook, Bay Area party
Bouncebounce, rapid triggerman drum pattern, call-and-response chant, 100 BPM, relentless dance energy
Miami bassmiami bass, 808 sub booms, fast electro drums, 130 BPM, chanted party vocal
Trap soultrap soul, airy pads, soft trap drums, pitched vocal sample, 138 BPM, moody sung-rap, late-night longing
Emo rapemo rap, distorted guitar loop, trap drums, 150 BPM, melodic strained vocal, raw vulnerability
Ragerage, blown-out synth lead, distorted 808, aggressive hats, 160 BPM, chaotic shout-rap
Pluggplugg, glassy bell arpeggio, light 808 glides, airy hats, 130 BPM, dreamy laid-back flow
Horrorcorehorrorcore, minor organ loop, heavy kick, film-sample chills, 88 BPM, sinister narrative rap
Grimegrime, square-wave bass, 8-bar skippy drums, 140 BPM, fast aggressive UK flow
Afroswingafroswing, afrobeats percussion under rap drums, warm guitar, 102 BPM, melodic sung-rap, sunny swagger
Boom-bap instrumentalboom-bap instrumental, filtered jazz loop, crisp drums, scratch fills, 90 BPM, no vocals, head-nod groove
Battle rap beatbattle rap beat, hard minimal drums, ominous piano stab, 88 BPM, no hook, aggressive space for bars
Old-school 80s rapold-school rap, 808 drum machine, funk bass loop, simple scratch, 108 BPM, upbeat party rhymes
Experimental / abstractabstract hip-hop, fractured drums, dissonant sample collage, 86 BPM, cryptic half-spoken delivery
Latin traplatin trap, dembow-tinged hats, deep 808, reggaeton inflection, 92 BPM, melodic Spanish flow
Pop rappop rap, bright synth hook, clean trap drums, sung chorus, 100 BPM, radio-ready confidence

Raw data: /guide/reference/lists/hip-hop-list.json · 30 entries

FAQ

Why does my trap prompt come out at the wrong speed?
Trap is usually written at 140 BPM but felt at 70. Keep both ideas in the line: 140 BPM with a half-time feel.
Do I have to use the whole hip-hop cue line?
No. The lines are built from independent tokens, so you can keep the two or three that matter and drop the rest without breaking the grammar.
Can I mix this list with another one?
Yes — keep one rhythm description, one lead instrument, one production word and a single tempo. Competing rhythm descriptions are the usual cause of muddled results.

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