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Reference

Retro style reference

Decade-accurate production styles from 50s rock and roll through 60s soul, 70s disco, 80s synth and 90s alt.

How to use this list

Each row pairs a style term with a cue line written in the same grammar: what the music is, what plays it, roughly how fast, and how it feels. Copy the cue, then change one thing at a time so you can tell which token moved the result.

Retro cues are about recording technique: tape saturation, plate reverb, gated snares and mono mixes say more than the year itself.

Combining entries

Combine a retro production cue with a modern genre entry when you want a vintage-sounding take on a contemporary style.

If a take drifts away from what you wanted, remove tokens rather than adding more. Long prompts dilute; short, specific ones steer.

1950s rock and roll50s rock and roll, boogie piano, slapback echo vocal, upright bass walk, brushed shuffle drums, 165 BPM, energetic and vintage
Doo-wopdoo-wop, close four-part harmony, bass-voice 'bom' lines, triplet piano, soft snare, 70 BPM, sweet and nostalgic
Rockabillyrockabilly, twangy hollow-body guitar, slapped upright bass, snare rim shuffle, hiccup vocal with echo, 170 BPM, wild and retro
Surf rocksurf rock, drenched spring reverb guitar tremolo picking, driving toms, instrumental, 155 BPM, sunny and adventurous
60s Motown soulmotown soul, tambourine on every beat, melodic bass, baritone sax and strings, group harmonies, 128 BPM, joyful and vintage
60s garage rock60s garage rock, fuzz guitar riff, Farfisa organ, snotty vocal, primitive drums, 145 BPM, raw and hooky
Psychedelic rockpsychedelic rock, phased guitars, backwards tape effects, sitar drone, hazy vocals, 110 BPM, kaleidoscopic and woozy
70s funk70s funk, slap bass and clavinet, tight horn section, wah guitar, in-the-pocket drums, 104 BPM, sweaty and irresistible
Discodisco, four-on-the-floor kick, open hi-hat eighths, octave bass, lush strings, 118 BPM, glittering and euphoric
Philly soulphilly soul, sweeping string arrangement, vibraphone, smooth falsetto vocal, soft four-on-floor, 108 BPM, plush and romantic
Yacht rockyacht rock, glossy Rhodes chords, jazzy 7th harmony, smooth session drums, breezy tenor vocal, 98 BPM, polished and mellow
Classic rockclassic rock, overdriven Marshall guitars, Hammond organ, powerful belted vocal, live room drums, 128 BPM, big and timeless
Glam rockglam rock, stomping 4/4 drums, fat distorted riffs, handclaps, theatrical vocal, 130 BPM, swaggering and glittery
Prog rockprog rock, mellotron and Moog solos, shifting odd meters, extended instrumental suites, 120 BPM, grand and exploratory
Krautrockkrautrock, motorik drum pulse, hypnotic repeating bassline, analog synth drones, 135 BPM, mechanical and trance-inducing
New wavenew wave, bright staccato synths, clipped guitar, bouncy bass, deadpan vocal, gated snare, 140 BPM, quirky and danceable
80s synthwave / retrowavesynthwave, analog saw arpeggios, gated reverb drums, neon lead melody, side-chained pads, 100 BPM, nocturnal and cinematic
80s power ballad80s power ballad, chorused clean guitar verse, huge reverb snare, soaring guitar solo, belted chorus, 72 BPM, dramatic and emotional
Hair metalhair metal, screaming guitar harmonies, gang-shout choruses, big gated drums, high-register vocal, 145 BPM, flashy and rowdy
Italo discoitalo disco, arpeggiated bass sequence, plastic synth lead, drum machine claps, accented vocal, 122 BPM, kitschy and hypnotic
Boogie / post-discoboogie funk, slap bass, gated electric drums, vocoder accents, glassy synth chords, 112 BPM, sleek and groovy
City pop (80s Japan)city pop, luxurious Rhodes and brass stabs, slap bass, crisp session drums, smooth vocal, 108 BPM, nocturnal and glossy
90s R&B90s R&B, swung hip-hop drums, warm bass, layered harmony stacks, smooth lead vocal ad-libs, 92 BPM, sensual and lush
Eurodanceeurodance, hoover synth stabs, four-on-floor kick, rap verse and diva chorus, 138 BPM, euphoric and cheesy
Britpopbritpop, chiming layered guitars, swaggering vocal, live drums, string overdubs, 120 BPM, anthemic and nostalgic
Grungegrunge, sludgy detuned power chords, loud-quiet dynamics, raspy weary vocal, thick room drums, 115 BPM, raw and disaffected
Trip-hop (90s)trip hop, slow dusty breakbeat, deep filtered bass, vinyl noise, cool detached vocal, 88 BPM, smoky and cinematic
Y2K popy2k pop, plastic synth plucks, tight programmed beat, vocoder harmonies, sparkling FX, 100 BPM, shiny and futuristic

Raw data: /guide/reference/lists/retro-music-list.json · 28 entries

FAQ

Does naming a year help?
A decade helps; a precise year usually does not. Describe the recording characteristics of the era instead.
Do I have to use the whole retro cue line?
No. The lines are built from independent tokens, so you can keep the two or three that matter and drop the rest without breaking the grammar.
Can I mix this list with another one?
Yes — keep one rhythm description, one lead instrument, one production word and a single tempo. Competing rhythm descriptions are the usual cause of muddled results.

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