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Reference

Fitness style reference

Warm-up, HIIT, running cadences, spin, lifting, yoga, Pilates and cooldown cues with usable tempos.

How to use this list

Each row pairs a style term with a cue line written in the same grammar: what the music is, what plays it, roughly how fast, and how it feels. Copy the cue, then change one thing at a time so you can tell which token moved the result.

Fitness cues are chosen by tempo first. Running entries use step-per-minute figures, so 160 BPM means 160 steps per minute, not a half-time feel.

Combining entries

For class use, say how often the energy should change — steady loop, 30-second peaks, clear 8-bar cues — and ask for instrumental so cues stay audible.

If a take drifts away from what you wanted, remove tokens rather than adding more. Long prompts dilute; short, specific ones steer.

Warm-up groovewarm-up groove, mid-tempo house beat, light synth chords, 110 BPM, steady rising energy, instrumental
HIIT intervalhiit interval, hard four-on-floor kick, siren stabs, clear 30-second phrase changes, 150 BPM, maximum push
Steady-state cardiocardio steady, consistent driving kick, bright arpeggio, minimal breakdowns, 140 BPM, relentless forward motion
Treadmill run 160 SPMrunning track, 160 BPM steady pulse, punchy snare on 2 and 4, sparse melody, locked-in stride
Treadmill sprint 180 SPMsprint track, 180 BPM drum and bass roll, aggressive bass, 30-second peaks, all-out effort
Spin climbspin climb, heavy half-time drums, grinding bass riff, 128 BPM, gritty determined grind
Spin sprintspin sprint, fast peak-time techno, rising filter, 145 BPM, breathless urgency
Rowing pacerowing pace, strong downbeat accent every stroke, driving bass, 132 BPM, rhythmic power
Powerlifting hypelifting hype, distorted 808s, trap hats, aggressive brass stab, 80 BPM half-time, heavy confident menace
Hardcore gym rapgym rap instrumental, hard boom-bap drums, dark piano loop, 96 BPM, no vocals, grind-mode focus
Metal workoutworkout metal, chugging downtuned riff, double-kick bursts, 160 BPM, no vocals, raw aggression
Boxing pad workboxing pads, punchy percussion hits, tense synth bass, 138 BPM, sharp combative rhythm
Boot camp anthemboot camp anthem, big room drop, gang-shout hook, 128 BPM, shouty motivational energy
CrossFit AMRAPamrap track, unchanging high-energy loop, 145 BPM, no breakdowns, steady pain-cave momentum
Yoga flowyoga flow, soft pad drone, gentle hand percussion, flute melody, 72 BPM, calm sustained breath
Vinyasa buildvinyasa build, slowly layering percussion, warm bass pulse, 92 BPM, focused rising heat
Yin yoga stillnessyin yoga, sustained singing bowl drone, sparse piano, no beat, deep release
Pilates corepilates core, clean minimal beat, precise clicky percussion, 104 BPM, controlled and tidy
Barre classbarre class, bright pop-house groove, light claps, 118 BPM, elegant energetic lift
Zumba latinzumba latin, reggaeton dembow, brass stabs, whistle, 100 BPM, joyous party motivation
Dance cardiodance cardio, disco-house groove, funky bass, 124 BPM, grinning full-body fun
Cooldown stretchcooldown stretch, warm Rhodes chords, soft brushed drums, 76 BPM, relieved gentle glow
Recovery breathworkbreathwork bed, slow 6-second pad swells, low drone, no percussion, guided-calm pacing
Long run drone-poplong run, hypnotic melodic techno, unchanging pulse, 150 BPM, meditative endurance
Hike / trailtrail track, organic percussion, acoustic guitar ostinato, 118 BPM, outdoor optimism
Swim drylanddryland circuit, bouncy electro house, clear 8-bar cues, 126 BPM, crisp motivating drive
Stair climbstair climb, ascending arpeggio motif, heavy kick, 135 BPM, upward grinding push
Mobility flowmobility flow, soft lo-fi beat, warm bass, vinyl hiss, 84 BPM, unhurried attentive calm

Raw data: /guide/reference/lists/fitness-music-list.json · 28 entries

FAQ

What tempo should I use for a long run?
Most steady runs sit between 150 and 165 BPM; sprints work at 170 to 185. Pick the entry closest to your target cadence.
Do I have to use the whole fitness cue line?
No. The lines are built from independent tokens, so you can keep the two or three that matter and drop the rest without breaking the grammar.
Can I mix this list with another one?
Yes — keep one rhythm description, one lead instrument, one production word and a single tempo. Competing rhythm descriptions are the usual cause of muddled results.

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